Series: Penguin Classics (Book 236)
Paperback: 544 pages
Publisher: Penguin Classics; New Ed edition (December 31, 2002)
Language: English
ISBN-10: 0141183047
ISBN-13: 978-0141183046
Product Dimensions: 5 x 0.9 x 7.7 inches
Shipping Weight: 13.4 ounces (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (70 customer reviews)
Best Sellers Rank: #19,054 in Books (See Top 100 in Books) #39 in Books > Literature & Fiction > Poetry > Regional & Cultural > European #126 in Books > Biographies & Memoirs > Arts & Literature > Authors #720 in Books > Literature & Fiction > Classics
*The Book of Disquiet* is one of those great books that isn't for the great majority of people. Basically a collection of fragments written over the good part of a lifetime and attributed to one of Pessoa's literary alter-egos Bernardo Soares, *Disquiet* was assembled and translated by editor Richard Zenith from a legendary trunkful of unpublished texts discovered after Pessoa's death.These semi-autobiographical reflections are dominated by an all-pervading world-weariness and negation of ordinary life--a book of disgust, as it were--saved from out and out nihilism only by a sort of idealistic solipsism--a perverse counter-celebration of dream, inertia, solitude, impotence, and failure. From this unlikely recipe, Pessoa manages to distill a formula for taking a morbidly decadent pleasure from a total rejection of the bleak facts of human existence just this side of suicide!The short texts that make up *The Book of Disquiet* range from philosophical speculations to surrealistic prose poems, from misanthropic diatribes worthy of Dostoyevsky's "underground man," to daily diary entries that reflect on a wide-range of everyday subjects. The result is an exhaustive if uneven and often repetitive text, although through no fault of Pessoa's inasmuch as putting together a finished book from these fragments was a project that eluded him in his shortened life. As an editor, what Zenith has done here--for better and for worse--is give us a text almost scholarly in its completeness. As such, there is a great deal of redundancy in this edition of *Disquiet.* It's hard to imagine that Pessoa wouldn't have cut and shaped a finished version differently.
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