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Haydn's 'Farewell' Symphony And The Idea Of Classical Style: Through-Composition And Cyclic Integration In His Instrumental Music (Cambridge Studies In Music Theory And Analysis)

This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal.

Series: Cambridge Studies in Music Theory and Analysis (Book 1)

Paperback: 424 pages

Publisher: Cambridge University Press (November 11, 2004)

Language: English

ISBN-10: 0521612012

ISBN-13: 978-0521612012

Product Dimensions: 6.8 x 0.9 x 9.7 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)

Best Sellers Rank: #2,338,379 in Books (See Top 100 in Books) #135 in Books > Humor & Entertainment > Sheet Music & Scores > Composers > Haydn #341 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Symphonies #746 in Books > Humor & Entertainment > Sheet Music & Scores > Instrumentation > Orchestra

This has become one of the essential texts in understanding music of the Classic Era. Webster is one of the leading scholars of 18th-century music and particularly of Joseph Haydn. It is not for the non-musician, as the analyses are quite extensive, but for those who can follow Webster's work, it is well worth the effort and repays study. I recommend this highly.

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