Review (PDF) The Divine Comedy & Paradise: Paradise V. 3 (Classics)
In Paradise, having plunged to the uttermost depths of Hell and climbed the Mount of Purgatory, Dante ascends to Heaven, continuing his soul's search for God, guided by his beloved Beatrice. As he progresses through the spheres of Paradise he grows in understanding, until he finally experiences divine love in the radiant presence of the deity. Examining eternal questions of faith, desire and enlightenment, Dante exercised all his learning and wit, wrath and tenderness in his creation of one of the greatest of all Christian allegories.
File Size: 3636 KB
Print Length: 398 pages
Publisher: Penguin; New Impression edition (April 29, 2004)
Publication Date: April 29, 2004
Sold by: Digital Services LLC
Language: English
ASIN: B002XHNMLM
Text-to-Speech: Enabled
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Lending: Not Enabled
Enhanced Typesetting: Not Enabled
Best Sellers Rank: #801,019 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #34 in Kindle Store > Kindle eBooks > Literature & Fiction > Poetry > Italian #132 in Books > Literature & Fiction > Poetry > Regional & Cultural > European > Italian #209 in Kindle Store > Kindle eBooks > Literature & Fiction > Poetry > Epic
please read the life and works of Dorothy L. SAyers to appreciate fully the effort she made here, her final writing, posthumously completed (no, not with any seance, which she adequately lambasted in her detective stories).Her total translation of the Commedia is worth the price of admission (Do not abandon all hope, as she will bring you home to the beatific vision).There are several translations of varying usefulness and grace, but Dorothy is the rock upon which to stand when comparing the rest.
Dorothy Sayers's translation of Dante is an important addition to the numerous translations of Dante currently available, and worth reading. Sayers manages to do what few English translators can, or even attempt: she renders the text in tirza rima. Tirza rima is notoriously difficult to write in English anyway, but the prospect of writing a translation in the form would make even the best poet tremble. However, Sayers pulls it off, giving readers a taste of Dante's original poetic form. Sayers's accomplishment comes at a price, however. Often she must contort the syntax in order to get the rhymes to fit, making an already-demanding poem even harder to comprehend in places. She also has to fall back on English archaisms and other tricks to make the form work, and some passages read much rougher than others.I would recommend that a first-time reader of Dante not begin with Sayers's translations. I do not read Italian, so I cannot comment on the extent to which the translation is accurate. But there are several other well-regarded translations in print, such as Ciardi's and Esolen's, both of which are much easier to read, without sacrificing poetic quality. The experienced reader of Dante will want to read Sayers's translation at least once.For myself, the real value of Sayers's editions is her notes, which are thorough and lucid. Paying special attention to philosophy and theology, Sayers unpacks and explains Dante in a way that few translators (or critics!) have been able to do. Even when her verse is stilted or cramped, her notes are enlightening. That is why Sayers's translation belongs on the bookshelf of the serious Dante reader, alongside some more readable translations.
Dante deserves 5 stars and the translators 4, but the current Kindle edition deserves 1. It seems to have been sloppily OCRed with little editorial attention. Problems include,1. Ugly formatting (compared to the paper book). The verse numbers intrude into the text, the useful page headings are gone (except where they've been accidentally and intrusively included), and the indentation is inconsistent. On most devices it is hard to get lines to not wrap, but in the paper book this is handled well.2. Typos/errors. Especially in the italicized comments at the beginning of each chapter. Clumsy, no attention to detail.3. No table of contents and no good way to navigate between text, notes, and glossary. There should be *more* hyperlinking opportunities in the electronic text. But instead it's clumsier to use than the actual book, which responds well to thumb and finger. Also on the Kindle Touch anyway it's impossible to look up a phrase, for example to google "mosaic of Justinian at San Vitale" which was mentioned in the notes.I can't believe I paid $9.59 for such a barbarically edited book. Where are your standards, Penguin? It's distracting and disappointing.
This is one of the greatest books I have ever read! Dorothy Sayers translation is incredible and she offers tremendous insight into past history and and provides much needed background to enjoy this timeless classic of the Western Canon. It is also easy to understand why Dante ranks high up in Western Canonical literature along with Virgil and Homer. What made the book enjoyable also was that, prior to purchase, I viewed online documentaries about Dante's Inferno which is what I would recommend but even then, you will not anticipate all of the actions of the book.
This is not the most up - to - date translation: however, it is one of the more worthy bits of the history that has grown up around the Comedy, and its perspective is still of practical use. (She actually tries to avoid Freud, for example). Her misunderstandings are ones we can overlook, and she could even help to correct any new ones (not that I do not have full faith in our, er, "currentness", of course!) that might arise.As for the work of the Master himself, what can one say? Its the best book in world history (have not read any better: and I am, in all humillity, considered something of a reader).Simply put, its Heaven.
In this final translation of the Comedia begun by Dorothy Sayers and completed by Barbara Reynolds we find that Dante has lead us to his ultimate destination. This section is perhaps the most intellectual and theological section of all, which is why T.S.Eliot favored this most of all. Even if is too much to absorb, except in small doses, the honey added the notes and the introduction, makes it exquisitely enjoyable.So we find out that Dante's real destination was not Beatrice but God. Heavy going for the modern reader but a reason to begin to read this work again in a more modern translation. Notice that I said more modern and not better. If this were not the case why should be concerned with Keats' reaction to Chapman's Homer.The reader is welled advised to pursue other translations and compare them to this. Happy to know that Barbara Reynolds is among those to whom we may turn.
The Divine Comedy & Paradise: Paradise v. 3 (Classics) The Divine Comedy, Part 3: Paradise (Penguin Classics) The Divine Comedy: Paradise: 003 (Xist Classics) Dante Alighieri: Divine Comedy, Divine Spirituality (The Crossroad Spiritual Legacy Series) The Divine Comedy, Vol. 3: Paradise The Divine Comedy, Part 1: Hell (Penguin Classics) The Divine Comedy, Part 2: Purgatory (Penguin Classics) (v. 2) The Divine Comedy: Inferno, Purgatorio, Paradiso (Penguin Classics Deluxe Edition) The Divine Comedy: Purgatory (Xist Classics) The Divine Comedy: Inferno, Purgatorio, Paradiso (Penguin Classics) The Divine Comedy: The Inferno: 1 (Xist Classics) The Divine Comedy of Dante Alighieri: Volume 1: Inferno The Divine Comedy: Inferno; Purgatorio; Paradiso (Everyman's Library) The Divine Comedy (Translated, Annotated, Illustrated) The Divine Comedy, Vol. II: Purgatory The Divine Comedy, II. Purgatorio. Part 2 The Divine Comedy The Divine Comedy: Inferno, Purgatorio, and Paradiso The Divine Comedy (Translated by Henry Wadsworth Longfellow with an Introduction by Henry Francis Cary) The Divine Comedy Selected Cantos: A Dual-Language Book (Dover Dual Language Italian)
