Paperback: 64 pages
Publisher: Music Minus One (January 1, 1997)
Language: English
ISBN-10: 159615005X
ISBN-13: 978-1596150058
Product Dimensions: 9 x 0.5 x 12 inches
Shipping Weight: 1 pounds
Average Customer Review: 3.4 out of 5 stars See all reviews (13 customer reviews)
Best Sellers Rank: #1,296,432 in Books (See Top 100 in Books) #47 in Books > Humor & Entertainment > Sheet Music & Scores > Composers > Rachmaninoff #116 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Piano Concertos #436 in Books > Humor & Entertainment > Sheet Music & Scores > Historical Period > Late Romantic
I am keen on Rachmaninov's 2. Piano Concerto but unfortunately I don't have an orchestra available as so many people. So buying this product is a good way to practice the "whole music" without needing a group of about 35 musicians. I already practiced all the three movements of the concerto for about 1 year and performed it several times with my piano teacher who accompanied me on another piano. You have to be aware of the fact that the music CD with the orchestra part won't adapt to your playing like a person would do it. But you can practice playing with the CD and you will get better although you have to modificate your performance for being synchronised with the CD. So you shouldn't be frustrated if it doesn't work within your first or second test of this CD package. And you should consider buying it once you are ready to play the piece of music by heart. For me it was absolutly necessary to modificate the tracks of the accompaniment to my individual purposes because otherwise it would have falsified my own interpretation of this beautiful and monumental composition extremly. So I worked on every single minute of the CD tracks with an audio program after I copied them on my computer. Then I made my individual CD. Some parts had to be much faster (especially large parts of the second movement which is way too slow in my opinion what makes it drowsy), some had to be faster. Furthermore I had to put some "taps" as reference points for the beginning of the bars in the silent parts when only the piano plays. That makes sure that you really start to play together at the next entrance of the orchestra. You can use those taps as an orientation for the tempo and you really need that to be synchronised with the orchestra all the time.
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