Paperback: 240 pages
Publisher: Oxford University Press (June 1, 2007)
Language: English
ISBN-10: 0195328949
ISBN-13: 978-0195328943
Product Dimensions: 9.1 x 0.7 x 6.1 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review: 4.0 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #3,385,231 in Books (See Top 100 in Books) #96 in Books > Humor & Entertainment > Sheet Music & Scores > Composers > Sullivan #102 in Books > Humor & Entertainment > Sheet Music & Scores > Composers > Gilbert #1115 in Books > Arts & Photography > Performing Arts > Individual Directors
Ian Bradley has done a marvelous job in researching the G and S scene since the end of the G and S copyright in 1961. Each chapter is chockfull of interesting notes on productions, singers and the politics that rage behind the scenes. For anyone interested in the current G and S scene, this book is a must. I was a little disappointed in the details of the American G and S scene, but the rest of the book made up for this defect!
Ian Bradley's book is an excellent look at the continuing popularity of the Gilbert & Sullivan operas over 100 years after they were written. Books that discuss the history of Gilbert & Sullivan when they were alive are a dime a dozen. Bradley's is the first book to specifically look at the performance and cultural history of the Savoy operas since the expiration of the libretti copyright in 1961. Among the topics that Bradley touches on are the history of the old D'Oyly Carte Opera Company since 1961, as well as the sad story of its successor; how Gilbert & Sullivan shows and church-going often go hand-in-hand; parodies and spinoffs of the shows; professional and amateur productions of Gilbert & Sullivan; and more.My chief complaint is that when Bradley goes into the performance history since 1961, the writing gets dry and tedious. To elaborate, he simply makes lists of performances in many sections. Frankly, I think that a list of performances would have worked better as an appendix.With that caveat, this is an excellent resource for any Gilbert & Sullivan fan, and I definitely recommend it.
This is an interesting book about the last years of the D'Oyly Carte Opera Company, and following that, the professional and amateur productions of Gilbert and Sullivan's works up until recent days.It's not about the lives and times of the duo who created the works, but about their legacy and the present-day performers and scholars who love G&S and keep their works alive.So while it's good in its way, if you're looking for information about the Victorian era, this isn't the book you're looking for.
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