Paperback: 242 pages
Publisher: RareBooksClub.com (September 13, 2013)
Language: Italian
ISBN-10: 1236710061
ISBN-13: 978-1236710062
Product Dimensions: 7.4 x 0.5 x 9.7 inches
Shipping Weight: 1 pounds
Average Customer Review: 4.2 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #1,981,133 in Books (See Top 100 in Books) #180 in Books > Literature & Fiction > Poetry > Regional & Cultural > European > Italian #9383 in Books > Literature & Fiction > Foreign Language Fiction
Charles James Fox, one of my heroes of the English 18th Cent., said that all Englishmen should learn Italian just to read Orlando Furioso. This seems a sound use of time. It is a lovely Christmas stocking (of a giant, it is absurdly long!) full of astonishing toys and trinkets that jump out and pirouette under the tree. Two knights fight a magician on a magic flying horse who soars and swings like a yo-yo so that the magician is always popping up like a horrid hornet behind the knights' necks to sting and sting. A myrtle bush recounts its sad love affairs as a man to a perfect stranger who has just flown in on a hippogryff. A beautiful girl knight knocks all the guys senseless, then falls into a hole where Merlin tells her the biographies of her unborn children and grandchildren. People dependent entirely on horses drop in on Scotland for lunch, and then go back to North Africa. I could go on, and the dear, gentle, Count Ludovico Ariosto most certainly does.The Italian is considerably less knotty than The Divine Comedy--and the subject is much more merrily simple-minded. Obsolete words will certainly be encountered: "verrone" for "balcone" ="balcony" just for one. There are naturally words for parts of armor and saddlery you do not really need to buy an ice-cream in Milan. You need a good Italian dictionary or a very good English-Italian (Oxford-Paravia, for example). The grammar is straightforward, though he does abbreviate words, making them look a little strange.The central story is of a crusading knight, Count Orlando, who falls in love with a girl who is (a) a pagan, (b) a sorceress. If this seems a bad idea, she also loathes men. This tense situation causes Count Orlando to go comprehensively mad--"furioso." No matter. Help is at hand!
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