Series: Penguin Classics
Paperback: 176 pages
Publisher: Penguin Classics; 3rd Revised ed. edition (January 1, 1997)
Language: English
ISBN-10: 0140446761
ISBN-13: 978-0140446760
Product Dimensions: 5.1 x 0.5 x 7.8 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review: 4.2 out of 5 stars See all reviews (4 customer reviews)
Best Sellers Rank: #720,023 in Books (See Top 100 in Books) #79 in Books > Literature & Fiction > Poetry > Regional & Cultural > European > Norse & Icelandic Sagas #1703 in Books > Literature & Fiction > Dramas & Plays > Regional & Cultural > European #8817 in Books > Reference > Foreign Language Study & Reference
This is unmistakeably Hill's _Brand_: the technical grace of his Englishing of Ibsen shows an acute awareness of the responsibility of the translator to both the original text and the language into which it is to be translated. Hill's translation enriches not only the English language but the ability of English (and non-Norwegian) speakers to appreciate Ibsen's brooding, symbolically charged drama of the challenge of faith in the midst of common life. Is Brand's fidelity to his "dear Christ hurt with thorns" obdurate or obstinate? In this play, the repudiation of social morality in the name of higher things is put to the question: what if devotion to such "higher things" also leads to, or becomes a mask for, moral isolation, the cauterization of social feeling? Uncompromising and yet compromised, Brand is a caution, and _Brand_ a cautionary tale...
Epic book that should really get more game than it has.
This book captures the essence of humanity. I recommend to anyone who wants to find themself.
Brand is the flip side of Peer Gynt. Ibsen may well have intended to write heroism into Brand, a charismatic dissenting priest, but could not breathe any life into his protagonist at all. Brand is cold, righteous, merciless, uncompromising. The play is dated, dull, static, but of historical interest to Ibsen scholars, since he may have learned plenty by writing Brand. The rather rigid Norwegian state/church of his time loved it, granted Henrik a permanent poet stipend for Brand. Modern gentle readers may roll their eyes.
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