Paperback: 164 pages
Publisher: Theatre Communications Group; Revised ed. edition (May 10, 2016)
Language: English
ISBN-10: 1559365420
ISBN-13: 978-1559365420
Product Dimensions: 5.4 x 0.6 x 8.4 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review: 4.1 out of 5 stars See all reviews (17 customer reviews)
Best Sellers Rank: #10,283 in Books (See Top 100 in Books) #27 in Books > Literature & Fiction > Dramas & Plays > Regional & Cultural > United States #3267 in Books > Literature & Fiction > United States
“Don’tcha think it should cost less to be alive?” That line, which concludes the father's speech to his daughter's new live-in boyfriend, captures much of what this play is about. Karam gets at the financial stress that burdens the middle-class in this period of stagnation. Jobs and pensions lost, dead-end jobs stoically endured for decades, caring for an aging parent while still holding down full-time jobs, etc. Karam shows the interconnections between these economic woes and the social and psychological burdens the family members also face: allegiance to one's childhood faith, struggles with weight, chronic health issues, the fear of NYC after 9-11, recovering from depression, use of anti-depressants, class differences, the importance of marriage, etc. Karam wonderfully avoids hitting one over the head with any of these issues; instead, they are subtly (and often humorously) invoked during conversations. What Karam doesn't make a conflict is also significant; we see here a family that has no problem with their daughter's/sister's homosexuality. Instead, each is incredibly supportive (mom even brings up scissoring during dinner). Nor is the young woman's depression due to her sexuality; instead, Karam suggests it has to due with the intersection of her ulcerative colitis and her worries about finding a new partner for life.Karam tackles these issues through comedy-drama instead of tragedy. This family supports one another, but they can also make some great jokes about each other. I haven't seen this on-stage yet, but Karam gives a good amount of text that is supposed to be conveyed non-verbally, and comedic actors and directors could do a lot with this.
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