File Size: 1355 KB
Print Length: 320 pages
Publisher: Penguin Books; Reprint edition (September 13, 2012)
Publication Date: September 13, 2012
Sold by: Penguin Group (USA) LLC
Language: English
ASIN: B007V65PLA
Text-to-Speech: Enabled
X-Ray: Enabled
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Best Sellers Rank: #185,449 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #10 in Kindle Store > Kindle eBooks > History > Americas > Canada > Post-Confederation #23 in Books > Politics & Social Sciences > Politics & Government > International & World Politics > Canadian #77 in Books > History > Middle East > Iran
I read the book and saw the movie. Tony Mendez is a true life "James Bond". What was fascinating was how ordinary Mr. Mendez makes himself sound like -a wife and kids in the suburbs, an art studio etc. However, after reading the book, you realize how extraordinary he is. Think about how dangerous it was for an American CIA agent to go into Iran at that time or any time since then. In fact in was more dangerous than going into Moscow during the Cold War. In Moscow, you would likely be thrown out of the country but not kiled. In the the movie you see Ben Affleck take off his wedding ring before he goes. The book explains that if you were caught, you wanted your captors to think you were single. Imagine the implications. At the same time the sheer audacity of the cover story was something that you wouldn't believe could come out of a government agency. The movie over dramatizes the events that occur to make it a more interesting story; but what makes this caper so successful in reality was how boring it really was. The elaborate Hollywood backstory was necessary both in case the Iranians checked, but also to sell a sceptical White House on trying it and then to sell the hidden Americans that they could actually pull it off. Part of the message here is that disguise is more than makeup, it is the attitude to support it and the backstory was necessary to make people believe it was real. In many ways this was a true "Mission Impossible" mission in the spirit of the TV series. The intersection between Hollywood and the spy world was also amazing. While there wasn't as much action as there would be in a movie ( or in the movie Argo) the reality was every bit as dangerous and what distinguishes a true professional is pulling off without triggering any suspicion.
On November 4, 1979, Iranian militants took over the American embassy in Iran. The Americans inside the embassy when the takeover occurred were held hostage for 444 days. The drawn-out crisis made President Jimmy Carter look weak, and he lost the next presidential election to Ronald Reagan.A dozen or so Americans managed to exit the embassy during the siege. Most were captured and brought back, but six ended up on the run. Eventually, they were sheltered by Canadian diplomats in their homes for weeks of boredom from nothing to do and terror at the risk of being discovered.Antonio Mendez and others at the CIA created an outlandish scheme to explain why the six were in Iran and as cover to get them out. Even in the midst of a military crisis, Hollywood rolls on, and Hollywood execs are crazy enough to visit war-torn countries seeking places to film. Using a script for a science fiction movie project that had fallen through a few months earlier, the CIA created the elusion of a production company scouting locations in Iran.The logistics of such an operation seem overwhelming. The book is thorough without bogging down. Without getting lost, I understood the incredible amount of coordination and attention to detail that was required. One of the parts that struck me had to do with acquiring Canadian passports. The six Americans were to pose as Canadians, and Mendez expected getting permission from Canada to create fake Canadian passports to be a major obstacle. Instead, on arriving in the office of a Canadian official, he and a colleague were astonished to discover that the Canadians had already done the background work necessary to make that happen.
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