Paperback: 464 pages
Publisher: W. W. Norton & Company; Reprint edition (December 17, 2001)
Language: English
ISBN-10: 0393322246
ISBN-13: 978-0393322248
Product Dimensions: 6.1 x 0.9 x 9.3 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (10 customer reviews)
Best Sellers Rank: #91,152 in Books (See Top 100 in Books) #18 in Books > Literature & Fiction > Poetry > Regional & Cultural > European > German #95 in Books > Literature & Fiction > World Literature > European > German
Paul Celan stands as one of the most influential and visible poets of the second half of the 20th-century. The work he produced from World War II to his suicide by drowning in 1970 has been lauded by subsequent poets, taught in German history courses, and set to music by Berio, Birtwistle, and Rihm. The central theme of most of Celan's poetry is the slaughter of European Jewry in the Holocaust, as the poet was born in a German-speaking Jewish enclave in Bucovina and there lost his parents and his home, scars which even a successful new life in Paris could never erase. This volume of selected poems with English translations by John Felstiner (author of the biography Paul Celan: Poet, Survivor, Jew) is a fine introduction to his work.Celan's poem "Todesfuge" (Death Fugue) is one of his earliest mature pieces and the most common introduction to his poetry. It's opening lines "Black milk of daybreak we drink it at evening / we drink it at midday and morning we drink it at night / we drink and we drink / we shovel a grave in the air where you won't lie too cramped" are a powerful depiction of the death camps and fully repudiate Adorno's claim that poetry after Auschwitz is impossible.Some critics have claimed that "Todesfuge" was Celan's only great poem and had it not been for that, then we would have never heard of him. That poem was certainly his break into the literary world, but other material in this volume is just as fine. "Einfuehrung" (Stretto) is something of a rewriting of "Todesfuge" in considerably more desperate language and my favourite of Celan's poems.
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